All products featured are independently chosen by us. However, SoundGuys may receive a commission on orders placed through its retail links. See our ethics statement.
Best audiophile cables: Fact and fiction explained
You’ve just bought a swanky new pair of expensive headphones or speakers, but how to make the most of them? Various guides and conventional audiophile “wisdom” might point you down the road of improving the rest of your setup, right down to the cables and wires that connect things together. You might also find quite a few audiophiles who advocate for splashing hundreds of dollars on cables to get the most out of your fancy new setup.
But before you even begin down this path, you need to look at the specifics of your setup. Most importantly, is your cable carrying a signal to an active or passive component? Speaker wires that need to carry power from an amplifier need to be selected a little more carefully than a short “aux” cable for your car.
Editor’s note: this article was updated on July 18, 2024, to answer more frequently asked questions.
What doesn’t matter for cable quality?
Let’s begin with what to avoid—gold is always a good myth to start with. All expensive audio cables on the market and even the cheaper ones will often make a big deal out of “gold plated interconnects” this and that. The reason for this has nothing to do with signal quality, as any metallurgists will tell you that copper and silver are far better conductors. Furthermore, the inner part of the cable will almost always be copper for that exact reason.
Copper oxidizes in the air, requiring constant cleaning, or cables will not last very long. Gold or zinc plating doesn’t tarnish and ensures a longer life. However, even cheap cables have some form of coating that will last the cable’s lifetime. Gold plating is definitely not worth the extra cost.
Another common sales pitch is the need for special shielding or insulation to prevent electromagnetic interference, crosstalk, or noise from other sources. Electromagnetic radiation can actually be a problem in some situations, for very low signal levels or when dealing with very high-speed digital data. It won’t be an issue over the short distance from your pocket to your headphones or from an amplifier to the speaker.
The “skin effect” is another common cable myth, and you should steer clear of cable companies that claim their bits of wire fix this apparent problem. The skin effect has practical consequences in the analysis and design of radio-frequency and microwave circuits and antennas, but it does not occur to any meaningful extent at audio signal frequencies, so it is of no real concern in our application.
Cables also cannot affect things like bit depth, sample rate, and the like. So if someone tries to upsell you on fancy cables that promise better audio quality from a digital source, don’t buy from them. Additionally, brand names do not have any influence on the laws of physics. Do not pay more for brand names.
What to look for in the best audiophile cables?
Low impedance is the key factor of a good quality audio cable, particularly when it comes to speakers and low-impedance headphones. Signal loss and filtering can occur if your cable offers a lot of electronic resistance, and particularly when that resistance changes with frequency (impedance). This is usually the case with speakers and headphone drivers.
I won’t bore you with the physics, but essentially, a higher source impedance (driver output + wire) reduces the amount of power that reaches the headphones or speakers. Furthermore, speakers and headphone drivers are reactive loads, which means their resistances vary with frequency. As an example, a pair of headphones might have a higher impedance at high frequencies, which would produce an additional loss if you added a high-impedance cable in series.
Should you buy expensive audiophile cables?
Ultimately, all you need from a good-quality speaker cable is low resistance, capacitance, and inductance. Manufacturers can produce these without any unnecessary alchemy. If you know where to look, you can find inexpensive cables with the desired basic specifications listed.
If not, you can follow the general rule of thumb that a 12—or 14-gauge speaker wire is needed for long wire runs with low-impedance speakers (4 or 6Ω). Meanwhile, 16-gauge wire is fine for runs under 50 feet to 8Ω speakers. For headphones and short connections to active speakers, essentially any cable will do, as the power transfer is much lower.
Great-sounding audio cables don’t have to be expensive. If you’re after decent audio cables or wire that won’t break the bank, here are a few suggestions:
- Speaker wire: MaxBrite 50ft, 16 gauge pure copper – $15
- RCA to 3.5mm adapter: Rankie 6ft / 1.8m – $6
- AUX (male to male): Anker 4ft / 1.2m – $5
- AUX extender (male to female): Knips 4ft / 1.2m – $5
Frequently asked questions about audiophile cables
Then there is something wrong with some of your cables—or the interconnects. Make sure the connections are secure and unbroken.
Generally, any well-constructed cable with proper shielding and low impedance will provide good sound quality. Oxygen-free copper (OFC) cables are often considered high quality.
XLR cables are widely used in professional audio settings due to their balanced signal, which reduces noise over long distances.
In most cases, the difference is negligible. High-end RCA cables might offer slightly better shielding, but the impact on sound quality is often minimal.
Expensive cables are usually not necessary. Moderately priced, well-constructed cables are typically sufficient.
The ideal length is the shortest that practically works for your setup. Longer cables can potentially introduce more noise, especially in unbalanced connections like RCA.
If you’re using very cheap or damaged cables, upgrading to decent-quality cables might be worthwhile. However, upgrading from good to premium cables often yields diminishing returns.
While RCA is an older technology, it’s still widely used in consumer audio equipment. However, digital connections like HDMI and optical are becoming more common for newer devices.
Thicker cables can be better for longer runs as they offer lower resistance, but for typical home audio setups, standard thickness is usually sufficient.
Look for cables with good shielding, solid connectors, and reputable brands. Focus on low resistance, capacitance, and inductance.
Colors are typically used to differentiate between left (white) and right (red) audio channels. For video, yellow is standard. The colors don’t affect performance but help with correct connections.